看电影网的网友观后影评
为什么删掉原来那篇,是因为我的影评写到最后已经不是在写我对《克里斯·洛克:杀死信使》的感受了,而是在和其他人的言论隔空互怼。等我真正冷静下来去看我写的文字,我问自己有没有被舆论裹挟,有没有在呈现《克里斯·洛克:杀死信使》里我最想表达的东西,我发现我的影评写得很失败。《克里斯·洛克:杀死信使》播出当晚我写影评时,那种迫不及待为它发声为它呐喊的心态已经失去。
《克里斯·洛克:杀死信使》是一部2008年非常不错的美国福利片哦,由马蒂·考纳尔执导,详情是这样的:Chris Rock in 3-D? That’s more or less what you get with Kill the Messenger. Recorded in 2008, the 79-minute show is actually a compilation of three different gigs (in London, New York, and Johanne**urg, South Africa) deftly edited into a single performance, presumably drawing on the best takes from each. It’s an effective technique, as it sustains visual interest (i.e., Rock’s wardrobe changes) and reveals the comedian’s gift for making his act seem spontaneous when in fact it’s basically the same every night during a given tour. As for the content, it’s what you’d expect from Rock: rude (f-bombs fall like acid rain, the *n word* flows freely, and the **ual references are extremely graphic), incisive, and hilarious. Some of the material has already passed its sell-by date; jokes about the ’08 presidential election, while funny (John McCain is *so old, he used to own Sidney Poitier*), are obviously no longer current. Elsewhere, Rock riffs on the difference between *career* and *job,* gay fans, ringtones, and even Gwen Stefani, but it’s his observations about race that are central to the performance--and they never lose their bite, especially when it comes to black-white relations (on black men’s predilection for, uh, larger women: *A black man’ll drop-kick Keira Knightley to get to Rosie O’Donnell*). On the whole, he seems optimistic, if somewhat bemused (*All my black friends have a bunch of white friends. All my white friends have one black friend*), even as he remains acutely aware of the persistence of raci** and inequality. If you’re easily offended, steer clear of Kill the Messenger. Otherwise, get ready to laugh. --Sam Graham